“There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question . . . All the rest – whether or not the world has three dimensions, whether the mind has nine or twelve categories – comes afterwards. These are games; one must first answer.” – Albert Camus

It’s my privilege to serve on the board for YouSpoke.org, and I’m passing along the press release for their upcoming event happening THIS SUNDAY – March 4th, 2012:

Y O U S P O K E . O R G

YOUSPOKE.ORG PRESENTS “NOT ALONE,” A DANCE AND ART SHOW THAT

ENCOURAGES A POSITIVE DISCUSSION ABOUT SUICIDE AWARENESS.

CHICAGO, Illinois — March 2, 2012

Join YouSpoke.org, a nonprofit that creates artistic opportunities for people affected by suicide, on Sunday, March 4th at the Den Theatre (1333 N. Milwaukee Ave in Wicker Park) for a night of art and movement. Featuring work from 53 dancers, artists, beat poets, singers, writers, videographers, and a quilter, all addressing the topic of suicide, this event, entitled “Not Alone–a physical expression of inner turmoil and the courage to heal,” gives a voice to those affected by offering a safe, comfortable environment to share their story.

Stefanie Cary, founder of YouSpoke, lost her father to suicide one semester before she was scheduled to graduate college in 2006. In the process of her healing, she realized how her father masked his struggles with depression and anxiety disorders, even though he found them debilitating. This inspired Stefanie to start YouSpoke.org in 2009, in an effort to provide people with the creative outlet her father didn’t have.

Through performance, art collectives, public speaking and more, YouSpoke begins a positive discussion about suicide awareness that aims to better understand those who struggle, those who are left behind, and those we lose to suicide. At “Not Alone,” the organization will present its proudest projects yet, including a wall-sized technicolor wall tarp, a full-length dance show, and a decorate-yourself quilt that has been in the works since 2009.

Watch YouSpoke’s Black Tape Promo Video: http://www.youtube.com/watch?v=puoEAZu-YyU&feature=channel

To find out more about “Not Alone” visit: www.giveforward.com/youspoke

To purchase your $25 tickets visit: www.youspoke.eventbrite.com

Stay connected with YouSpoke through their facebook page and new youtube channel.

“With expression through the arts we teach, we heal, we save, because YouSpoke.”

This is a track list for “Whitney Houston’s Final Tribute (what the Grammys should have done)

01. “Run to You” (1993)
02. “How Will I Know” (1985)
03. “Greatest Love of All” (1986)
04. “Saving All My Love For You” (1985)
05. “Didn’t We Almost Have It All” (1987)
06. “You Give Good Love” (1985)
07. “So Emotional” (1987)
08. “I Wanna Dance With Somebody” (1987)
09. “Where Do Broken Hearts Go?” (1988)
10. “All The Man That I Need” (1990)
11. “Miracle” (1991)
12. “I Have Nothing” (1993)
13. “I’m Your Baby Tonight” (1990)
14. “Queen of the Night” (1993)
15. “Exhale” (1995)
16. “I Believe In You And Me” (1996)
17. “Step By Step” (1997)
18. “I’m Every Woman” (1993)
19. “It’s Not Right But It’s Okay” (1998)
20. “Try It On My Own” (2003)
21. “My Love Is Your Love” (1999)
22. “I Look To You” (2009)
23. “I Will Always Love You” (1993)

This is an addendum to “Shit REAL Chicagoans Said” – my reaction / response / contribution / alteration to all the meme videos — something that hopefully sort of feels like what Chicago actually feels like . . .

Anyway, here’s a list of source material, in order of appearance:

00:00-00:21 – Barack Obama

00:24-00:32 – John Belushi in The Blues Brothers (1980)

00:33-00:38 – Oprah Winfrey

00:38-00:44 – John Malkovich

00:44-00:47 – Richard M. Daley

00:47-00:48 – Jennifer Hudson

00:48-00:50 – Rod Blagojevich

00:50-00:52 – Hugh Hefner

00:52-00:56 – Bill Swerski’s Superfans on SNL

00:56-01:03 – Dan Castellaneta

01:03-01:09 – Richard M. Daley

01:10-01:34 – John C. Reilly in Chicago (2002)

01:13-01:15 – Gary Sinise

01:16-01:18 – Mike Ditka

01:21-01:24 – Kanye West

01:34-01:44 – R. Kelly

01:44-01:45 – Jenny McCarthy

01:45-01:48 – Liz Phair

01:49-01:50 – Richard M. Daley

01:50-02:00 – Moo & Oink

02:01-02:09 – Da Sox

02:10-02:23 – “It’s About To Go Down” by Shire Knights

02:23-02:27 – Wayne’s World (1992)

02:27-02:43  - Jeremy Piven in Da ‘Hawks Commercial

02:43-03:06 – “Be Like Mike” Gatorade Commercial

02:51-03:00 – Hoop Dreams (1994)

03:07-03:12 – Harry Caray

03:13-03:16 – Eddie Vedder

03:16-03:18 – Bill Murray

03:18-03:25 – Da Bulls

03:26-03:52 – Bill Swerski’s Superfans

03:52-04:00 – Da BearsSuper Bowl Shuffle

04:01-04:07 – The Fugitive (1993)

04:07-04:11 – Risky Business (1983)

04:12-04:21 – The Wieners Circle

04:21-04:25 – “Here It Goes Again” by OK Go

04:24-04:25 – Kathy Griffin

04:25-04:33 – Bernie Mac

04:33-04:41 – Bill Swerski’s Superfans

04:41-04:49 – Mike Ditka

04:49-05:06 – The Untouchables (1987)

05:06-05:18 – Vince Vaughn & Jon Favreau in The Break-Up (2006)

05:19-05:24 – The Blues Brothers (1980)

05:24-05:25 – Road to Perdition (2002)

05:26-05:27 - The Dark Knight (2008)

05:28-05:29 - ”It’s About To Go Down” by Shire Knights

05:29-05:31 – The Blues Brothers (1980)

05:31-05:33 – Joan Cusack

05:33-05:37 – Baby Face Nelson (1957)

05:37-05:40 – The Untouchables (1987)

05:41-05:42 – Billy Zane

05:42-05:44 – The Blues Brothers (1980)

05:44-05:47 – The Hunter (1980)

05:49-05:53 – The Dark Knight (2008)

05:54-05:58 – The St. Valentine’s Day Massacre (1967)

05:57-06:00 – Charlton Heston

06:01-06:04 – Richard M. Daley

06:05-06:05 – Mike Ditka

06:06-06:12 – Rahm Emanuel

06:12-06:14 – The Empire Man

06:15-06:18 – Chicago 2016 Olympics Video

06:17-06:23 – John Cusack in High Fidelity (2000)

06:24-06:29 – Hillary Rodham Clinton

06:30-06:39 – Michelle Obama

06:40-06:43 – The Wieners Circle

06:44-06:46 – “Sh*t Chicagoans Say

06:45-06:48 – The Untouchables (1987)

06:49-06:53 – The Blues Brothers (1980)

06:54-06:59 – Mike Ditka

07:00-07:25 – Ferris Bueller’s Day Off (1986)

The song “Welcome to Chicago Motherfucker” that appears a couple times is by Kill Hannah.

Check out HuffPost’s article about this video.

in·flu·ence [in-floo-uhns] noun: the power to be a compelling force on the actions, behaviors, opinions, etc., of others.

Influence is one of those tricky, hard-to-quantify concepts, so I was fascinated to see the data behind 15 of “The Most Influential Cities” laid out so clearly across three glossy pages of infograph in the November 2011 issue of National Geographic. Although the “list at this stage is fairly intuitive,” admits the management consultancy that provided the information via the Global Cities Index, their specific numbers for the chart are based on five major areas: information exchange, political involvement, human capital, cultural experience, and business activity.

Fierce jockying for “Global City Status,” as it’s called nowadays, has been serious business since Athens vs. Sparta, as we all know, but fortunately the big powerhouses have migrated away from the constant warfare of yesteryear into more subtle forms of seduction and diplomacy: today’s top cities compete to host the Olympics, go full monty for the boards of Fortune Global 500 companies in hopes of luring corporate headquarters in, campaign to get your tourism dollars, ‘go green,’ race to out-infrastructure each other, and so on, all things designed to make them more appealing, not scarier. So that’s good.

But whatever the means, the end is always a fundamental struggle for worldly influence, and interest in this field of relational strength between global cities is on the rise: since 2008 (recent enough to at least partially reflect the bubble bursting) there have been four significant studies that rank the metropolitan spheres of power — the Global Cities Index, the Global Power City Index, the World City Survey, and the Globalization and World Cities Research Network (GaWC). Given their healthy mix of convergence and divergence, the results of these projects provide a pretty well-rounded assessment when considered collectively. Sort of like the judges on American Idol.

That said, if these four sets of data are given equal weight, and if every city that’s neglected by one or more of the rankings is blackballed (which happened to Washington DC, Madrid, Amsterdam, and Vienna, since each of these made only three out of four lists), then the results are as follows:

No surprises, really, except maybe that there’s such a huge percentile gap between fourth and fifth place — NYC, London, Paris and Tokyo are literally head-and-shoulders above the others — but what all of these studies and analytics disappointingly fail to address is how global influence looks on the scale of the individual in each city . . . like, if you’re just going around and meeting people, what’s the ‘street view’ version of this data? Or, in other words, if you hypothetically meet a resident selected at random from each metropolitan area, which person is most likely to be, statistically-speaking, the ‘most influential’?

Well, by redistributing the cumulative values from the graph above equally amongst the respective populations for each metropolitan area [quick sidenote: a metropolitan area considers the whole "commuter belt" of a population and traces its perimeter around the pattern of people who overlap on a day-to-day basis -- the metropolis-as-superorganism perspective -- as opposed to city limits or the urban agglomeration area, both of which have narrower definitions that seem more skewed and inconsistent from city to city] I was able to determine the relative influence of each city per capita, which transforms the order of the list significantly:

So, in the individualized battle for the most influential people in the world, the Belgians win going away: they’re almost twice as powerful as the Londoners next in line. Maybe they should send a Trojan Horse across the English Channel as a consolation prize.

“Each mammalian brain functions as a biocomputer with properties, programs and metaprograms. One biocomputer interlocks with one or more other biocomputers above and below the level of awareness any time the communicational distance is sufficiently small to bring the interlock function above threshold levels.” – John C. Lilly

It was a pleasant surprise to get some really great and thoughtful feedback in regard to last week’s post, including one message in particular that I think illustrates the bleak complexity of what’s lurking just beneath the surface of the digital immigration pool, excerpted here: “I grew up in a very quiet, reflective, immersive reading environment. This is hard-wired into me in a way that surpasses most others, I believe. That said, I find that I read very little these days, and this deeply troubles me: I have my formative years steeped in books, but now I seem to spend most of my time in another place . . . I think books in the physical sense are going to become more and more of a niche, artifact market, kind of like vinyl records. I wonder, as we age and the younguns start their ascent to power, what this means. Will we have a serious communication breakdown, a generational gap exacerbated by overstimulation? Or am I ascribing too much power to technology, and will it ultimately foster empathy in new ways, connecting a kid in rural white Alabama with a South Sudanese refugee camp and bringing that kid into a meaningful dialogue with power, privilege, race, etc. in a way that his parents never would have?”

Well put, my friend, and as it turns out, technology is doing a lot more than just fostering empathy between antithetical ethnic groups that wouldn’t otherwise converge – it’s encouraging us to play with pigs on our iPads and, consequently, foster empathy not only between groups of humans, but between entirely different orders of mammal. Inter-species apps, in real time.

Get this: the European Union passed a law in 2001 that requires animal farmers to “provide some form of entertainment to their livestock as a way of keeping them in good emotional health,” according to writer Stephen Messenger, “which in turn helps curb aggression and anxiety.” Hmm . . . Can you conceive of a similar law being passed in the US? Probably not, because we’re so far from it over here: factory farm animals are basically unprotected in half the country, as they’re currently exempt from the regulations of standard animal cruelty laws in 25 states. Lame.

But anyway, with this EU legislation in mind, a team of programmers and designers in The Netherlands recently figured out that pigs are attracted to certain patterns of light: they’re “fascinated by the movement of reflected points of light, and are attracted to new light spots on a surface,” they report, all things that “animal scientists had not noticed until now.”

At the time, they were developing “Playing with Pigs,” a school research project exploring why “neither humans nor pigs seem to be able exert their cognitive abilities in the best possible ways in their modern environments.” They quickly applied what they learned from the light-experiments towards a not-yet-released app called “Pig Chase,” which could make it a lot easier – and more fun – for pig farmers to “provide entertainment.”

Basically, app users are presented with a live video feed of a real pig’s snout beyond the far side of translucent screen, like this:

And the corresponding pig is presented with a pattern of light controlled by the fingertip of the human, which is projected onto the opposite side of the screen, like this:

The rules are simple: “If pigs and humans move in harmony, that is, if a pig’s snout and the human’s ball of light move through a goal triangle, it triggers a colorful display of fireworks,” the designers explain. “An additional challenge for humans is to maintain contact with the pigs’ snouts. If they do not, their ball of light fizzles out,” and the game is over.

After playing, human participants are rewarded with a score based on the number of targets they were able to maneuver the snout through, ideally earning a spot on the all-time record board; the pigs, in turn, are rewarded with countless displays of colorful fireworks until they’re eventually slaughtered and eaten . . . but still, a relative win-win for all biocomputers involved.

And it turns out there’s a lot more to it than these relatively simple gaming “interlock functions” and some light-play between sides: “Both the design process and the eventual playing of a game with pigs offer ways to explore a variety of ethical questions,” states Clemens Driessen, a philosopher collaborating with the project, and it not only proves that “technological design can lead to new reflection on the importance and the meaning of central concepts such as naturalness or intelligence, but also in more direct and embodied ways, in forging new types of human animal encounters and relations.” That said, it looks like conventional single-species apps could be passé, and if we’re already this creative with pigs, what could eventually be done with cetaceans or chimpanzees or any psychic octopi that might come along?

Whatever happens, we’ll certainly be encountering new kinds of knowledge about ourselves through the process, especially in regard to how our capacities for empathy can transform and change, for better or worse . . . which brings me back to last week, and to the deeper questions at the core of this: If one group of children reads Charlotte’s Web and another group of children plays “Pig Chase” for an equivalent amount of time on iPads, what kinds of similarities and differences emerge when each group has to independently raise a piglet from birth? And, if both groups are deprived of all other sources of food, which piglet survives longer?

“The future will present itself with unimaginable ruthlessness.” - Michelangelo Antonioni

This new year, I kicked things off by completely razor-shaving my head at the strike of midnight, updating my facebook profile pic for the first time since 2005 while simultaneously adopting the timeline, then scribbling out a jumbled mess of resolutions, one of them being to blog at least once a week in 2012, and so here I am, barely making it in time.

Ever since, I’ve been inundated: Should my blog have ‘a focus’? Should my blog use a ‘certain vernacular’? . . . Should my blog start with a predictable entry about blogging or about something random or absurd? . . . Should my blog use conventional capitalization? Should my blog integrate multimedia directly and / or indirectly and if so to what degree? Should my blog adhere to a certain font and aesthetic? . . . Should my blog interface through Blogger or WordPress or Tumblr or something else? . . . Should my blog ‘get personal’? Should my blog ‘be literary’? Should my blog ‘have self-awareness’? . . . And so on.

Such is the anxiety of influence, all these pseudo-conflicts swirling around in my (now-bald) head . . . but then a thought-provoking sequence of events silenced it all: I found myself with a couple of hours to kill in a parked car a few days ago and instinctively reached for my phone of average intelligence to check on various social feeds, etc. The first thing I encountered was an article reposted by a novelist entitled “Humans have the need to read” by Random House UK chief executive Gail Rebuck, which I took in between text message and email alerts, fully aware of the irony, on my phone.

The article riffs on some brain-scan research conducted by psychologists from Washington University who determined that “[deep] readers mentally simulate each new situation encountered in a narrative,” thus altering our mental wiring and creating new neural pathways. This is undoubtedly also true, biochemically speaking, of people watching feature-length films or playing MMORPGs or listening to concept albums and so on – any situation that prompts voluntary subordination to a storytelling structure – but there’s something unique at the heart of book-reading: they require focus, solitude, silence, and reflection, all of which are increasingly endangered mind-states. “If reading were to decline significantly, it would change the very nature of our species,” Rebuck asserts. “If we, in the future, are no longer wired for solitary reflection and creative thought, we will be diminished.” Sadly, the process is already well underway – various scientific studies are discovering a significant decrease in empathy amongst younger generations in contemporary tech-oriented western cultures.

Keith Oatley, a psychologist and author, created a microcosm of this unsettling antisocial trend through a simple experiment: he compared a group of students who read a Chekhov short story to a control group of students who read only a brief, non-literary synopsis of the same story. After measuring certain characteristics of all their personalities – like “extraversion, conscientiousness, and agreeableness” – before and afterward, he realized that “if you read fiction, what you get good at understanding is what goes on between people,” and observed that people who read acquire a greater capacity for empathy. In other words, people actually learn how to relate to other people better through the process of sustained reading.

This was enough for me to stop the pointillistic perusing of friends’ updates, turn off my phone, and open the neglected book that I received for the holidays – David Lipsky’s Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace – where I encountered, right there on the first random page I opened, pretty much a direct response to the sediments stirred up in me by the article: “I think a lot of people feel – not overwhelmed by the amount of stuff they have to do – but overwhelmed by the number of choices they have, and by the number of discrete, different things that come at them. And, since they’re part of numerous systems, also by the number of small, insistent tugs on them, from a number of different systems and directions. Whether that’s qualitatively different than the way life was for let’s say our parents or our grandparents, I’m not sure. But I sorta think so. At least in some – in terms of the way it feels on your nerve endings.” Now keep in mind DFW said this in early 1996, and then imagine what an updated version might sound like . . .

So maybe the empathy decrease in today’s youth is a nerve ending issue, so to speak . . . an issue of overstimulation: it’s all just too much, and we’re starting to short-circuit a little bit. After all, we didn’t biochemically evolve in a way that could neurally anticipate the amounts of data and information and content and noise we’re currently dealing with, but here we are, dealing with it.

And hopefully we’ll get better at dealing with it, not worse, but only time will tell. If our pharmaceutical death-rate statistics are any indicator, however, it doesn’t look good.

The important thing seems to be to start quieting the noise, to start strategically eliminating the distractions, and to start regaining a certain sense of control . . . or, as DFW put it a couple of pages later (since I continued to resist the lure of my phone) while discussing the key to his work process: “The writer is willing to cut off, cut himself off from certain stuff, and develop . . . and just, and think really hard.”

In a cross-referential and paradoxical kind of way, I guess this indirect dialogue between my facebook feed and the book I’m reading helped me realize that the more you refuse to do, the more you actually can do: focus is saying no, and then saying yes. In that order. And it’s our only way to really navigate from here on out.

Or hopefully it’s at least enough to help me push out a blog entry each week.

Either way, “technology throws up as many solutions as it does challenges,” Rebuck echoes optimistically, “and for every door it closes, another opens.” And with that, a less sinister Antonioni quote eclipses the epigraph: “It won’t be all that hard to transform us into new men better adapted to new technologies.”

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